Megan
Munroe. Remember the name, as she’s sure to make a lasting
impression. Her latest, “One More Broken String”, is a 12
track confident arrival at your music store. Sure and
poised, she hasn’t relied on lyrical pen pushers, those who
sit 9 to 5 huddled over a collaborative desk churning out
tunes to country music hopefuls. She doesn’t need them. She
writes her own songs. Ambitious and assured, it’s a brave
move, given the reluctance of radio to push and play
unknowns, and it’s more of a gamble when the tunes come
without a prestige songwriter’s credit. But Megan Munroe
isn’t out to play by the numbers or join her game by the
dots. She is forging her way to recognition with one obvious
trait: talent.
Blessed with a voice melodic and
country, this former Washington native who now resides in
Nashville, is, if you need a comparison, more Ashton
Shepherd than Taylor Swift. It’s a style and voice winning
international radio spins, along with local fan and media
interest. And why not? Her commercial debut is a fitting
entrée to her years of determined effort.
“As a child, I wrote plays, songs and
Broadway shows. I was the kid who always had her head in the
clouds and dirt in her hair,” she tells at her website. Now
with her long-time writing partner Brian Oaks, the recently
married 25-year-old, has proven that her childhood obsession
has paid off with a varied and classy result.
Speaking of her website, what a
shame, my many (many attempts) to log on to read her lyrics
were denied to me (and others?) – despite the fact I had
signed up as required.
Anyhow…sigh…that frustration
aside this is an expressive and infused album. With a neat
and nifty session band and respected producer Doug Deforest,
Megan Munroe hits her intended bullseye easily with shades
of Americana, blues and country.
Standout cuts include the
deceptive “Angel On My Shoulder (devil on my back,” the
up-tempo and latest single to radio “Moonshine” and the
reflective “Leavin’ Memphis.” “Memphis” with its tale of a
going and gone boyfriend, one who hits the road in our
heroine’s new Chevy, fuelled by her pinched purse, receives
his just retribution when she finally catches up with him
married and shacked up. The closing cut, “Lonely Tonight”,
etched with a plaintive mandolin, is a sad tug on the
heartstrings, again, showing the diversity of this
up-and-comer.
Remember the name. Megan Munroe
will impress.

Click the pic to order from Amazon.com.