Becky Schlegel - For All The World To See
Review By: George
Peden, CSO Staff Journalist
5/5/08
What
a deeply satisfying album For All The World To See is from
Becky Schlegel. The voice, the songs, the artistry of the
musicians, all adds to an album that, simply, is clear, melodic
and easy on the senses. Schlegel is a multi-award winning singer
and songwriter. It shows. She has a host of Bluegrass Artist of
the Year awards on her mantelpiece; again, no surprises – this
daughter of a South Dakota rancher is polished and poised, fully realized
on these 11 self-written tracks.
While comparisons are not
needed, if you think Alison Krauss you’re getting the vocal
flavor here. The voice is mellowed, expressive and tainted with
emotional feel – Schlegel paints with her crafted words, making
each tune a standout experience. This song detail makes for
involved listener enjoyment.
The album opens with the title
cut. The beauty of this track, indeed the album, is it’s not a
rushed and paced affair; no, everything flows, gentle and pure,
taking the listener into a musical world miles from the
familiarity of Nash Vegas and its similar sounding clones.
Schlegal is masterful in her work – heady praise – but
honestly deserved. When she joins with her band of virtuoso
musical mates, the outcome is brilliant and beautiful.
The title cut proves the point.
The opening play, Bo Ramsey’s unobtrusive guitar marries well
with Brian Fesler’s light banjo; it all melds in a background of
minimal interruption to Schlegel’s tune of standing strong when
emotional turmoil hits. With a common theme of connectedness, this
wife and mother of two boys shares heartfelt emotion on similar
sentiment tracks "Why Maybe," "99%," and
Schlegel’s album favorite, the poignant and sparse,
"Lonely". The harmony rich "Bound For
Tennessee," the revealed sadness of "Jenny" and the
appreciative glance to the "Hills Of South Dakota"
confirm Schlegel’s abundant talents.
Industry press for this
Minnesota talent is encouraging. Speaking of her earlier work – Red
Leaf and Drifter Like Me --one review writer said her
voice was enough to make grown men cry, while another said her
voice could make an older person feel faint. Of this recent album,
another noted music insider has said, "It
is a stunning CD…and I don’t say that lightly."
Misery never sounded better, as
Becky Schlegel sings of betrayal and abandonment. The finery of
her songs comes wrapped in a bluegrass mode that is delightfully
musical, keenly expressive and emotionally revealing; now, if
country radio moves beyond its imposed safety of predictable
formats, soon it could be, as her album suggests, for all the
world to see.
Out on Lilly Ray Records, June 17 is the release
date.